Orders are processed within 72 hours from confirmed payment

Orders are processed within 72 hours from confirmed payment

Search

Aboriginal Christmas Decoration - Blue Wren (Grandmother's Country)

Discover the magic of Christmas with our gorgeous Grandmothers Country Wooden Blue Wren decoration from our Sacred Country Range, featuring artwork from Aboriginal Artist Michelle Possum. Each piece tells a unique story, showcasing the rich heritage and cultural significance. Embrace the beauty of traditional art and add a touch of cultural warmth to your festive celebrations.

  • Material: Laser cut plywood
  • Artwork on both sides of the decoration.
  • Natural coloured string
  • A portion of each sale goes to the artist
  • Designed in Australia
  • Australian owned and operated

 

Michelle Possum Michelle was born at Napperby Station, Northwest of Alice Springs in the Northern Territory. She was taught to paint by her father Clifford Possum Tjapaltjarri. Clifford is the most renowned painter of the founding group of Papunya artists.

Michelle’s work has a strong connection to her father, family and land. Her paintings can incorporate strong figurative elements as well as important topography relating to her family's country, such as the abundance of food and water. In addition to sacred landmarks and iconography, Michelle's artwork includes important bush tucker and waterholes, making a meaningful connection to modern kitchens, the source of such provisions.

 

Grandmothers Country Design

The Dreamings that Michelle Possum paints come from Yuelamu on her home country at Mt Allan. These include the stories of Seven Sisters Dreaming, Bush Tucker stories including Seed Dreaming, Bush Coconut, Fire Dreaming, Goanna Dreaming, and Grandmother’s Country, many of which she combines together in complex interwoven designs.

Mainly depicting the overview of maps of traditional Country from her family lands, Michelle describes the many important cultural sites she knows well. Her paintings have gained wide popularity partly due to the fact that as we come to understand the iconography, the paintings make fascinating narratives for a western audience. They are populated not only with plants and food resources and waterholes, but also with people sitting in the landscape – men with hunting implements and women with digging sticks and coolamons.

Search